“Wang debuted like a shot of espresso. She donned a sizzling bedazzled red romper and glittering Louboutin stilettos. Style and spectacle are basically Wang’s calling cards, and her outfit radiated fearlessness and ferocity. Rachmaninoff’s third piano concerto, like all concertos, unfolds in three parts. “Allegro ma non tanto,“ the first section, begins deceptively straightforward as the pianist introduces a simple diatonic melody. As the section and concerto progress, however, the …
“Big band orchestral writing jostles with Latin American, gospel, Hollywood-like themes and several cadenzas in the classical style, which show off Wang’s glittering finger-work. Nothing lasts long and the concerto is held together by its energy. [Abrams’s Piano Concerto] gets a flamboyant performance from Wang and Abrams, who conducts the Louisville Orchestra, enough to make a glitzy, if fleeting impact in a live concert.” Financial Times “The piano demigod’s forthcoming album (releasing …
“The theme acts as a spirit, carrying within the piece in various form through harshness from the brass and the brightness of the upper strings. The beginning is of a slow nature within the orchestra coupled with a lightness in the piano. This doesn’t last long as it seamlessly builds up with intensity. In that moment, the composer is truly in control of us until finally, a release that gives …
“To perform one Rachmaninoff concerto requires the stamina of a linebacker, the dexterity of a surgeon, and the soul of an artist. To play all four—plus that brilliant joyride, the Rhapsody on a Theme of Paganini—would seem beyond human capacity. But if anybody could pull it off, Yuja Wang, with her impressively efficient technique and unwavering focus, could. And she did. Centered and balanced on the bench, with no wasted …
“Rachmaninov’s second concerto — composed in 1901 after a psychological breakdown and subsequent breakthrough — is as familiar as anything in the canon. Yet this interpretation began unfolding with a delighting freshness. In the first movement I heard witty textures, enlivening dynamic phrasing, a thrilling level of lucidity; in the second, a new emotional clarity and insight… I believe Rachmaninov offers a very beautiful and dignified sonic inquiry of everything …
“It was a momentous occasion as Wang played all five of Rachmaninoff’s works for piano and orchestra at Carnegie Hall for one show only. Yes, Yuja Wang did an encore. After playing, with electric mastery, all four of Rachmaninoff’s dizzyingly difficult piano concertos and his “Rhapsody on a Theme by Paganini” on Saturday — the kind of feat for which the phrase “once in a lifetime” was invented — she …
