“Nothing about Wang’s performance was understated, from the spiky but not overly aggressive sound that seemed to leap out of the piano to her dressed-to-slay getup… She relaxed into the second movement’s plainspoken waltz, adding a Debussy-esque watercolor wash to some passagework. But the big and bold was never far away, and the grandest fireworks show came at the end with Shostakovich at his most prankish; she stormed through the cadenza, which samples Beethoven’s “Rage Over a Lost Penny,” and Rolfs’s trumpet led the charge through the fanfares after.”