“Nothing about Wang’s performance was understated, from the spiky but not overly aggressive sound that seemed to leap out of the piano to her dressed-to-slay getup… She relaxed into the second movement’s plainspoken waltz, adding a Debussy-esque watercolor wash to some passagework. But the big and bold was never far away, and the grandest fireworks show came at the end with Shostakovich at his most prankish; she stormed through the …
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